Please use this identifier to cite or link to this item: http://ir.inflibnet.ac.in/handle/1944/999
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dc.contributor.authorPahari, Sanjukta Ray-
dc.date.accessioned2010-05-11T12:36:03Z-
dc.date.available2010-05-11T12:36:03Z-
dc.date.issued2009-02-25-
dc.identifier.isbn978-81-902079-8-0.-
dc.identifier.urihttp://hdl.handle.net/1944/999-
dc.description.abstractMuch of what a man is pertains to his imagination. Indeed, imaginary are his hopes, his intentions, his ideas of himself. People dream of their lives and live on their dreams. The dividing line between living and dreaming is not always clear. Films are collective dream of society. They provide society with mythologies or patterns of behaviour. However, the mass appeal of the movies is a clear indication that most people today respond in one way or another to the dream like fantasies projected on the screen. It is necessary to grasp the significance of the preservation of movies in the life of the people. Preservation of cinema is no doubt the issue that haunts cinema preservationist, archivist librarians at the moment.en_US
dc.language.isoenen_US
dc.publisherINFLIBNET Centeren_US
dc.subjectCommunicationen_US
dc.subjectPreservationen_US
dc.subjectPreservation-Cinemaen_US
dc.subjectCultural Heritageen_US
dc.titlePreservation of Cinema as Cultural Heritage of a Nation with Special Reference toIndiaen_US
dc.typeArticleen_US
Appears in Collections:CALIBER 2009:Puducherry

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